SET 1: Push On 'Til the Day, Money, Love and Change, Cayman Review, Mozambique, Sand, Drifting, Last Tube
SET 2: Night Speaks to a Woman, At the Gazebo, Mr. Completely
ENCORE: Wilson [1], Bathtub Gin[1], Alive Again
Add a Review
Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
Review by Xpanding_Man
Words can't do this show justice, but I'll try anyway Push on seems appropriate, given the week Trey had building up to this night (7 nights in a row!) $ and Cayman are both solid, with Cayman's solo offering up some fun chaos before a strong close. Sand...wow, to have been there with the moon and stars above, I might have died and gone to heaven so perhaps it's best I wasn't there. Last Tube, the definitive TAB song closes out a strong set.
Night Speaks is just long and meandering, essentially dissolving into Gazebo, which seems like a funeral dirge by contract. Mr. Completely gets things going again one more time before Trey comes out and gives a sneak peak of things to come YEARS later by doing some phish songs acoustic. Man, does he sound tired, fried, and in need of a break. Alive Again closes out the gig, the festival, and raised the bar for future fests. This one was hard to live up to; most have failed.