Trey dedicated the Divided Sky opener to “the spirit of the pig.” Trey briefly teased TMWSIY before Antelope. This YEM featured the infamous “Poop Vocal Jam,” followed by a set-stopping keg run. Mike’s Song included a tease of the HBO theme song. Sanity was the fast version and dedicated to Eric Larson.  'A' Train featured "Paul," an unknown audience member, on saxophone and included a Dixie tease from Trey. During Contact, Trey wished the crowd "Merry Christmas" several times, quoted Blue Bayou (with slightly altered lyrics) in a falsetto voice and teased Auld Lang Syne at the end of the song. This show featured the first known Phish performance of Funky (Breakdown). Funky (Breakdown) and Price of Love featured guest appearances by Ninja Mike (vocals) and Magoo (guitar). Fish intermittently played trombone and vacuum during the latter. Melt featured a Fish drum solo. The vocal jam at the end of Sneakin' Sally included Changes (David Bowie) and My Sharona (The Knack) quotes. Ya Mar's lyrics included references to wild pigs and Paul.
HBO Theme Song tease in Mike's Song, Blue Bayou and Auld Lang Syne quotes in Contact, Changes and My Sharona quotes in Sneakin' Sally Through the Alley, Dixie tease in Take the 'A' Train
Debut Years (Average: 1986)

This show was part of the "1989 Tour"

Show Reviews

, attached to 1989-05-28

Review by Wazoo

Wazoo This is the earliest show which I listen to in its entirety out of more than just “historical interest”. There are obviously wonderful shows earlier than this, but to my ears – and collection – this is the first one where the sound quality, professionalism, humor, musicianship really come together. There is also a lot of cool banter if you are into that sort of thing.

The show starts with Trey dedicating it to “the spirit of the pig” and announcing that the first song is called “Pig Head”, and then starts playing Divided Sky…which they nail right out of the gate…and jump into Antelope. Hard to even imagine playing these one-two to open a first set nowadays – a first of three sets nonetheless – at this point the songs are no longer new, but they are fresh enough that it all seems experimental as they stretch out the jams. The short Slave has a very interesting ambient-type section for a few minutes in the middle that I like, but I give the highlight of the set to the YEM. Early on, it has a nice little start-stop section, the lyrics are supplemented with numerous shit-synonyms, a “Heavy Metal-Type” Trey Solo, and a silly poop vocal jam. Plus they call for a Volunteer for a keg run at the end of my track. Silly, yes, but they are obviously having fun.

The second set kicks off with a nice Mike’s Groove – again punctuated with some banter, and proceeds to “Bathtub Gin – a new Phish number”. There is some really strange piano business (not bad, just different) going on, but as the third known version (and the first only two days earlier), they are obviously still working it out. The version of Sanity is different from any other that I have ever heard. Not only is the tempo double-time, there are a plethora of instrumental breaks that all seem to about to break into something else (I keep thinking Fluff’s Travels is about to arrive and there is a proto-chalk dust at the end) and some cool solos to go around – definitely a set highlight. Take the A Train is a nice cover – as a Jazz fan I wish they would do Jazz covers more often (some Coltrane explorations would be nice!) – and it is the most extended jazz cover that I have them doing. The Funky Breakdown > Price of Love business I would put in the “you had to be there”/Historical interest category. On the historical topic, Split Open and Melt actually had a full-on drum solo! Hood has an interesting piano flourish and while they don’t exactly burn it up, it is enough to bring the cops.

Set III starts with a slow dark jam – the kind you would typically find after 10 minutes or so into a set II song exploration. It is not too intense, but very weird to hear coming out of the gate – and it ends with a La Grange Jam/Tease and, of course, some more banter. A two-minute radio-friendly unfinished sloth – with banter – follows. Hard to tell if it is intentionally ended or not, but then they dig into a Sneaking Sally with a long vocal jam. Ya Mar is nice and chill and JJLC brings it home with the highlight of the short final set.

Overall a classic date which shows off the chops, humor, and songs of the band at the time – and which is an enjoyable listen at any time.
, attached to 1989-05-28

Review by kipmat

kipmat Can't believe I'm this first to review this classic show. Someone else will have to provide a more complete review, as I had only heard the first 20 minutes of set 2 as philler on my dubbed cassette of the White Tape. However, I thought the banter was funny as hell, and I loved that Trey's guitar was way up in the soundboard mix. "Fire" is crazy, I don't think I've heard a longer version. Trey really stretches this out. Again, the band is comfortable, chatty, and having a great time.
, attached to 1989-05-28

Review by thelot

thelot There seems to be a couple different sources spliced together for this show. The source from Sky through Ride Captain sounds good but is a flat soundboard recording. The pitch seems to be a hair slow as well. Peaches through Hood is a lot brighter and the pitch is spot on. Also, this other source almost sounds like a microphone recording as the people in attendance come through much clearer. Set 3 sounds like it’s also a microphone recording. Unfortunately the pitch is also a hair slow for set 3. ;)

The standout highlights in set 1 come during a fantastic Slave and an incredible YEM! Aside from all the poopy craziness, this vocal jam is very psychedelic! It should also be noted that Trey teases or plays Bathtub Gin after Mockingbird but the tape cuts into Fee.

Set 2 is very strong. Other than Fire, every version played in the set is noteworthy. The Funky (Breakdown)->Price of Love was somewhat annoying, but I’m sure it was a lot of fun for those at the party. The debut version of Price of Love on 3/30 was much tighter. The last three versions of Sanity have had a miniature jam section added on. I felt the version from UNH 4/27 had the strongest jam of the last three. Funky Bitch seems to be from a different source. It cuts out early in the song and goes straight into Split Open. It should be noted that Fishman takes a drum solo before the “Steam Dream” section like in earlier versions. Seems kind of odd that they would bring it back after omitting it from current versions? Mango Song was similar to the reworked version from the other night in Rutland. It’s interesting that Trey says that Hood will be the final tune of the evening but yet they play a 3rd set?

It sounds like most of the party went home by the time the band played set 3. The playing is very loose throughout. Things kick off with a jam that reminds me of Black Sabbath song I can’t put my finger on. This segues into a very brief La Grange Jam. Sloth is cut short and unfinished because Trey says they’re trying to get more radio airplay so they cut all of their songs down to 3 minutes each. lol Ironically the Sneakin’ Sally that follows is probably the longest version from the 80’s! Great version with another trippy vocal jam. Unfortunately this will be the last version of Sally heard in quite some time. Ya Mar and Jesus Left are both spectacular and feature some great solos from Trey.
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